By Peter Stockinger
Today, audiovisual data and libraries became very hot specially within the box of accumulating, conserving and transmitting cultural background. even though, the information in those data or libraries - video clips, photographs, soundtracks, and so on. - represent as such in basic terms capability cognitive assets for a given public (or “target community”). some of the most an important problems with electronic audiovisual libraries is certainly to permit clients to actively applicable audiovisual assets for his or her personal problem (in study, schooling or the other specialist or non-professional context). this implies, an edition of the audiovisual info to the categorical wishes of a person or person team should be represented via small and closed "communities" in addition to by way of networks of open groups round the globe.
"Active appropriation" is, essentially talking, using current electronic audiovisual assets through clients or person groups in keeping with their expectancies, wishes, pursuits or wants. This strategy presupposes: 1) the definition and improvement of versions or "scenarios" of cognitive processing of movies by means of the person; 2) the provision of instruments valuable for outlining, constructing, reusing and sharing meta-linguistic assets reminiscent of thesauruses, ontologies or description versions by way of clients or consumer communities.
either features are principal to the so-called semiotic flip in facing electronic (audiovisual) texts, corpora of texts or back whole (audiovisual) data and libraries. They show virtually and theoretically the well known “from information to metadata” or “from (simple) info to (relevant) wisdom” challenge, which evidently at once affects the potent use, social effect and relevancy, and consequently additionally the longer term, of electronic wisdom records. This ebook deals a scientific, finished method of those questions from a theoretical in addition to sensible element of view.
Part 1. the sensible, Technical and Theoretical Context
1. research of an Audiovisual Resource.
2. The Audiovisual Semiotic Workshop (ASW) Studio – a short Presentation.
three. A Concrete instance of a version for Describing Audiovisual Content.
four. version of Description and activity of Analysis.
half 2. initiatives in reading an Audiovisual Corpus
five. The Analytical job of “Describing the information Object”.
6. The Analytical activity of “Contextualizing the area of Knowledge”.
7. The Analytical activity of “Analyzing the Discourse construction round a Subject”.
half three. strategies of Description
eight. Definition of the area of information and Configuration of the Topical Structure.
nine. The process of loose Description of an Audiovisual Corpus.
10. The strategy of managed Description of an Audiovisual Corpus.
half four. The ASW procedure of Metalinguistic Resources
eleven. an summary of the ASW Metalinguistic Resources.
12. The Meta-lexicon Representing the ASW Universe of Discourse.
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Audiovisual Archives: Digital Text and Discourse Analysis by Peter Stockinger